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| TOC | (10 of 15 ) Working the Stone By Bryce Milligan and Litany Sung a Hell's Gate by Bryce Milligan |
8888WHY AM I SO BROWN? WHY AM I SO BROWN? is a compelling scenario of Ideals and cultural activism.
Trinidad's signature poem Let Us Stop This Madness sets the
tone for a plurality of global political Justice. Through an integration
of barrio rhythms and street orality, he finds identity and culture. His
sensitive and mature hand captures a consciousness that is a framework
for aesthetic realism and change. In this, Trinidad's fifth book, his
sense of humanity has gelled into completeness. This is a must read for
anyone who will take the challenge to investigate this form we call poetry. |
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8888The Illusion of Inclusion "Imaginative and rich political science.... Rosales' analysis of
middle-class Chicano activism in the early postwar era is both a new and
an important contribution to our knowledge of San Antonio's and Texas'
recent political history.... Also, the clarity of the book's writing and
structure make it a good candidate for use in intermediate undergraduate
urban and/or minority politics classes." |
In this book, Rodolfo Rosales offers the first in-depth history of the
Chicano community's struggle for inclusion in the political life of San
Antonio during the years 1951 to 1991, drawn from interviews with key
participants as well as archival research. He focuses on the political
and organizational activities of the Chicano middle class in the context
of post-World War II municipal reform and how it led ultimately to independent
political representation for the Chicano community. Of special interest
is his extended discussion of the role of Chicana middle-class women as
they gained greater political visibility in the 1980s. |